Post Critical Museology: Theory and Practice in the Art Museum By Andrew Dewdney, David Dibosa, Victoria Walsh

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Post Critical Museology: Theory and Practice in the Art  Museum
 By Andrew Dewdney, David Dibosa, Victoria Walsh

Post Critical Museology: Theory and Practice in the Art Museum By Andrew Dewdney, David Dibosa, Victoria Walsh


Post Critical Museology: Theory and Practice in the Art  Museum
 By Andrew Dewdney, David Dibosa, Victoria Walsh


Download PDF Post Critical Museology: Theory and Practice in the Art Museum By Andrew Dewdney, David Dibosa, Victoria Walsh

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Post Critical Museology: Theory and Practice in the Art  Museum
 By Andrew Dewdney, David Dibosa, Victoria Walsh

  • Sales Rank: #1869197 in Books
  • Brand: Brand: Routledge
  • Published on: 2012-12-06
  • Released on: 2012-10-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .65" w x 6.14" l, .0 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

About the Author

Andrew Dewdney is a professor of educational development at London South Bank University, and has been the Principal Investigator and Director of the Tate Encounters project, Head of the School of Film and Photography at Newport College of Art, and Director of Exhibition and Photography at the Watershed Media Centre in Bristol. His teaching focuses upon new media and visual culture, is co-author (with Peter Ride) of The New Media Handbook (Routledge, 2006).

David Dibosa is Course Director for MA Art Theory at Chelsea College of Art and Design in the University of the Arts London. His published work focuses on visual art and cultural difference, and includes ‘Cultural Diversity: politics, policy and practices. The Case of Tate Encounters’, with Andrew Dewdney and Victoria Walsh, in the edited collection, Museums, Equality and Social Justice (Routledge, 2012).

Victoria Walsh has worked in various senior research, curatorial and project management roles at Tate since 1994 and was Head of Adult Programmes at Tate Britain from 2005-11, as well as her work as an independent curator and consultant in the fields of Visual Arts and Architecture. Trained as an art historian, she holds various research and teaching positions within the UK and abroad and has published a number of titles on post-war British art.

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